My hope is that highlighting the similarities between Daly and Bergson will open new paths of appreciation and critique of Daly’s work. No state is disconnected from the tenor and color. Rather, she locates these differences within a more liberatory, ethical perspective to ground a sharp, inimical contrast between feminist creative movement on the one hand, and static, fixing, and “fixating” patriarchy, with its “technocratic” pretensions, on the other. In there can be no prolongation of a state which is not at the same time a change in state (1998, p. She does not-like Bergson-employ them to depict the result of a natural process of consciousness or life, and the dangers for human freedom and thought of not properly respecting these differences. Daly departs from Bergson inasmuch as she employs these distinctions in her own way.
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These similarities are particularly striking regarding distinctions made by both authors between two fundamentally contrasting types of cognitive faculty, of time and temporal experience, and of self and emotion. /rebates/&252fbergson-2-types-of-memory. and also of different types of order and disorder and their relations. bergson, mourning and memory: the fragility of time in klaus langs trauermusik - volume 71 issue 281 Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our websites. The primary goal of this article is point out certain close parallels between some ideas of the radical feminist theorist Mary Daly and those of the French philosopher Henri Bergson. Scott Palmer, Matter and Memory, New York: Swan Sonnenschein.
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Mary Daly, Henri Bergson, radical feminism, intuition, time, memory, self, patriarchy, process philosophy, metaphor Abstract