Taylor Swift's Reputation Stadium Tour was the fifth concert tour by American singer-songwriter Taylor Swift, in support of her sixth studio album, Reputation. The tour began on May 8, 2018 in Glendale and concluded on November 21, 2018 in Tokyo, comprising. Taylor Swift never hesitated to place a veiled version of herself at the center of her songs, but reputation is her first record specifically about ' Taylor Swift Superstar,' not the singer/songwriter who grew up in public. Reputation dispenses with the notion that Swift is a babe in the woods, swapping naivete for calculation.
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Released | November 10, 2017 | |||
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Length | 55:38 | |||
Label | Big Machine | |||
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Singles from Reputation | ||||
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Reputation (stylized in all lowercase) is the sixth studio album by American singer-songwriterTaylor Swift. It was released on November 10, 2017, through Big Machine Records. The record was primarily produced by Jack Antonoff, Max Martin, Shellback and Swift herself, who also serves as the executive producer. Artists featured on the album include English singer-songwriter Ed Sheeran and American rapper Future.
Reputation received generally positive reviews from music critics and reached number one in 13 countries including the United Kingdom, and United States. In the US, the album sold 1.216 million copies in its first week of release, making it the country's best-selling album of 2017, while with global sales of 4.5 million copies, it was the second best-selling album of 2017 worldwide.[1]
It received a nomination for Best Pop Vocal Album at the 61st Grammy Awards, becoming her second nomination in the category. To promote the album, Swift embarked on the Reputation Stadium Tour, starting on May 8, 2018 and ended on November 21 of the same year. The tour grossed $345.7 million,[2] being the second highest-grossing concert tour of the year[3] and the highest-grossing tour of all time in the United States.[4] A concert film based on the tour was released on Netflix on December 31, 2018.
- 4Promotion
- 5Critical reception
- 10Charts
Release
Swift first announced through Instagram on August 23, 2017 that her sixth album would be titled Reputation and released on November 10, 2017.[5] The album's lead single, 'Look What You Made Me Do', was released the next day.[6][7] On September 2, Swift teased a second song during ABC's Saturday Night Football telecast and was later posted on Instagram, titled '...Ready for It?', previewing the new track.[8] The song was released on September 3, 2017 as a promotional single. On October 20, 2017, Swift released a third song titled 'Gorgeous' at midnight as a promotional single.[9] A track named 'Call It What You Want' was released on November 2, 2017 as a promotional single with an accompanying lyric video.[10]
On November 7, Bloomberg reported the album would be kept off streaming services upon release for an undetermined amount of time and would only be available to purchase in digital and physical formats.[11] Later that same day, Swift posted the album's track list to her social media accounts.[12]Reputation became available to streaming services on December 1, 2017.[13]
Music and lyrics
The album's title alludes to many of its lyrical themes, such as handling fame and media coverage of celebrities. The cover art, which portrays Swift over a background of a tabloid publication, reinforces these themes. The title also is derived from lyrics on the songs 'End Game' ('Big reputation, big reputation, ooh, you and me we got big reputations') and 'Delicate' ('My reputation's never been worse').[14]
Greg Kot, writing for Chicago Tribune, described the album as 'another shift, this time into electronic pop'.[15] Neil McCormick, from The Daily Telegraph, defined it as 'brash, weaponised pop',[16] while Rolling Stone's Rob Sheffield said that 'Reputation builds on the synth-pop of 1989'.[17] Swift explained that the album had a linear timeline, starting with how she felt when she started working on the album, and transitioning to how she feels now,[18] with several songs inspired by the epic fantasy television series Game of Thrones.[19]
The album's opener, '...Ready for It?', is a 'pop-oriented',[20] 'electronic-inspired'[21]electropop[22] and industrial pop song,[22][23] with elements of tropical house,[24]dubstep[25] and trap music.[26] Swift states the song 'introduces a metaphor you may hear more of throughout the rest album, which is like this kind of Crime and Punishment metaphor'. The track is 'basically about finding your own partner in crime', Swift said.[27]
'I Did Something Bad', the album's third song, was written on the piano. Swift explained to iHeartRadio that the idea for the production of the song came to her in a dream. Swift described the concept to producer Max Martin, who used Swift's voice and pitched it down to create the effect that takes place after the chorus.[27] Swift's goal for 'Delicate' was to use the vocoder to create an 'emotional' and 'vulnerable' sound for the track. She explains the song is about, 'what happens when you meet somebody that you really want in your life and then you start worrying about what they've heard before they met you.'[27] Lead single 'Look What You Made Me Do' started out as a poem and is 'about realizing that you couldn't trust certain people, but realizing you appreciate the people you can trust.'[27] It interpolates the song 'I'm Too Sexy' by the British dance-pop group Right Said Fred.[28]
Swift structured 'King of My Heart' such that each individual section of the song was its own phase of a relationship, with the sections getting deeper and more fast-paced as the song went on.[27] The twelfth song on the album, 'Dress', contains many lines that Swift 'came up with like a year before'.[27] It was described by critics as Swift's 'sexiest song to date'[29] and bringing out her sensual side at last.[29][30] 'This Is Why We Can't Have Nice Things', the thirteenth track, heavily references Swift's feud with rapper Kanye West and his wife Kim Kardashian, which was believed to be the cause of Swift's reputation being ruined. 'Call It What You Want' was recorded at Jack Antonoff's home studio in Brooklyn.[31] Swift said the song best represents her current emotional state. The album's closer, 'New Year's Day', explores the flip side of the romanticism of a New Year's Eve kiss, and is about how the one that sticks around the next day to 'give you Advil and clean up the house' is the person that matters more.[18][27]
Artwork and packaging
Reputation's cover art was photographed by Mert and Marcus[32] in London.[33] The cover features Swift in a grey sweater and choker necklace with newspaper headlines of her name over one side of her face.[34] The typeface used for the headlines is reminiscent of the signature font of The New York Times.[35]
Target released two 72-page magazines that contain different content, including the album in the US.[36]Walmart distributed it in Canada.[37] The magazines contain photos, handwritten lyrics, poetry and paintings by Swift.[38] The Reputation Vol. 1 magazine cover was shot by Mert and Marcus. Vol. 2 was shot by Benny Horne and features Swift in a camouflage jacket.[39]
Promotion
In August 2017, United Parcel Service (UPS) announced it would be the 'Official Delivery Partner' for Reputation.[40] UPS trucks in select cities featured the Reputation album cover, and fans were encouraged to take pictures of the trucks and post images to Twitter with a hashtag for an 'improved opportunity' to buy concert tickets.[41]
A month before the album's release, Swift hosted exclusive secret sessions in London,[42]Rhode Island,[43]Los Angeles[44] and Nashville.[45] She said, 'Everything about this album is a secret.' Each party had a number of attendees, with a total of 500 fans chosen from around the world, for whom the album was played but none of them leaked any music. The behind the scenes footage for the sessions was released on November 7 on ABC's Good Morning America.[46] Swift partnered with AT&T to produce a multi-part behind-the-scenes series chronicling the making of Reputation, titled 'The Making of a Song'. The online series started on November 1 on AT&T's YouTube channel.[47]
On November 9, a performance of the song 'New Year's Day' was premiered during the broadcast of an episode of ABC's Scandal.[46] It was filmed in one of the secret sessions, held at Swift's home in Rhode Island on October 18, with an audience of 100 fans.[48] An extended version of Swift's performance was aired on November 10, during The DUFF's air on Freeform.[49] On November 11, Swift was the musical guest on the fifth episode of the 43rd season of Saturday Night Live, where she performed '...Ready for It?' and 'Call It What You Want' from the album.[50] It was her first appearance on live television following the album's release, and her first appearance on the show since 2009.[51][52]
Singles
Swift performing at the Reputation Stadium Tour in 2018
On August 24, 2017, 'Look What You Made Me Do' was released as the lead single from Reputation. The song broke several major records including the most Spotify streams in a 24-hour period by any artist.[53] It hit number one on the US Billboard Hot 100 with the biggest sales and streaming figures of the year, becoming the fifth song by Swift to top the chart and also the first solo number one by a woman with 84.4 million streams since Adele's 'Hello' in 2015 and the second biggest after 'Harlem Shake' (103.3 million).[54] Its accompanying music video later premiered at the 2017 MTV Video Music Awards and was viewed 43.2 million times on YouTube in its first 24 hours, the most in any video in history breaking the 36 million views of 'Gentleman' in 2013.[55]
On September 2, 2017, Swift teased on Instagram that the first track off Reputation, titled '...Ready for It?', was going to be released as a promotional single.[56] It was made available for digital download with the pre-order of Reputation on September 3.[57] On October 24, the song was sent to rhythmic contemporary radio as the album's second single[58] and the official music video premiered three days later.[59]
'End Game', featuring Ed Sheeran and Future, was released to French radio on November 14, 2017 and American contemporary hit radio stations on December 3, 2017 as the album's third single.[60][61] The song's music video was released in January 2018 after Sheeran confirmed its existence in early December 2017.[62] 'New Year's Day' was serviced to American country radio as the album's fourth single on November 27, 2017.[63]
On October 19, 2017, Swift announced she would be releasing a new song titled 'Gorgeous'.[64] It became available the next day through digital retailers and streaming services as a promotional single from the album.[9] The song reached the top ten in Canada and Australia and the top twenty in the United Kingdom and United States. It was sent to UK radio stations on January 12, 2018 as the album's fifth single.[65]
'Delicate' was sent to contemporary hit and adult contemporary radio as the album's sixth single on March 12, 2018.[66] Its music video premiered at the 2018 iHeartRadio Music Awards.[67]
'Getaway Car' was sent to Australian and New Zealand radio stations on September 6, 2018 as the album's seventh single.[68]
Promotional singles
On November 2, 2017, Swift announced she would be releasing the third promotional song from Reputation, while posting teasers on her official Twitter and Instagram accounts. The track, titled 'Call It What You Want' was released at midnight on November 3, 2017.[10]
Tour
In August 2017, Swift partnered with Ticketmaster for a bundling program, with people wishing to buy her concert tickets could gain priority by purchasing merchandise and pre-ordering Reputation.[40][69] On November 13, 2017, Swift announced she would be embarking on the Reputation Stadium Tour in 2018 in support of Reputation, first announcing North American dates. The tour began on May 8, 2018, at the University of Phoenix Stadium in Glendale, Arizona, and concluded on November 21, 2018 at the Tokyo Dome in Tokyo, Japan, with a total of 53 dates in stadiums throughout North America, Europe, Oceania and Asia.[70] A concert film of the tour was released on Netflix on December 31, 2018, and it was filmed during the two last concerts of the North American leg, on October 5 and 6 at AT&T Stadium in Arlington, Texas.
Critical reception
Professional ratings | |
---|---|
Aggregate scores | |
Source | Rating |
AnyDecentMusic? | 6.7/10[71] |
Metacritic | 71/100[72] |
Review scores | |
Source | Rating |
AllMusic | [73] |
The A.V. Club | B[74] |
The Daily Telegraph | [16] |
Entertainment Weekly | B[75] |
The Guardian | [76] |
NME | [77] |
Pitchfork | 6.5/10[78] |
Q | [79] |
Rolling Stone | [17] |
USA Today | [80] |
Reputation received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 71 based on 28 reviews, indicating 'generally favorable reviews'; the lowest Metascore of any of Swift's albums.[72]The Guardian writer Alexis Petridis opined Reputation, 'may be mired in bitterness and gossip, but the pop star's songwriting smarts and lyrical prowess are impossible to deny on her sixth album', noting the songs see 'Swift cutting her last ties with her Nashville roots in favour of the blare and honk of EDM-influenced pop'.[76]Rolling Stone's Rob Sheffield writes Reputation, 'shows the darker, deeper side of the pop mastermind'. Sheffield also remarked, 'As one of the all-time great pop masterminds, she's trying something new, as she always does.'[17]
Roisin O'Connor of The Independent says 'Call It What You Want' is 'arguably, the best song Swift has ever made', also praising Jack Antonoff's production, calling it 'essential' to the album; '[Antonoff's] love of Eighties synth-pop is the perfect counterbalance to Max Martin and Shellback's dance and electronic touch'.[81] Neil McCormick of The Daily Telegraph states, 'Reputation is a big, brash, all-guns-blazing blast of weaponised pop that grapples with the vulnerability of the human heart as it is pummelled by 21st-century fame.' McCormick continued, 'This is an album with blockbuster event status, preceded by a satirical hit ('Look What You Made Me Do') in which she provocatively ditched her 'girl-next-door' image for something more glamorously sophisticated.'[16] Troy Smith from The Plain Dealer said the album served as a reminder of Swift's songwriting talent, labeling 'New Year's Day', 'End Game', 'Delicate' and 'Dress' as standouts of the album.[82][83]
In a negative review, Geoff Nelson of Consequence of Sound gave the album a D+ rating writing, 'Swift's sixth studio album, is a bloated, moving disaster.' Nelson continued, 'Reputation doesn't improve past its initial singles, even if the chorus of '...Ready for It?' is one of the few vestiges of 1989 Taylor on the album. Elsewhere, Swift finds trouble: She raps, she adopts African-American Vernacular English, and she bizarrely collaborates with Future.' Nelson called 'Gorgeous', 'Delicate', and 'Call It What You Want' the 'strongest moments on the album'.[84]
Year-end lists
Publication | List | Rank | Ref. |
---|---|---|---|
Complex | The Best Albums of 2017 | 26 | |
Melty | Best Pop Albums of the Year | 8 | |
musicOMH | Top 50 Albums of 2017 | 16 | |
Newsday | Best Albums of 2017 | 22 | |
The New York Times (Jon Caramanica) | The Best Albums of 2017 | 5 | |
NME | NME's Albums of the Year | 31 | |
San Jose Mercury News | Top 10 Albums of 2017 | 5 | |
Pazz & Jop | The Top 100 Albums of 2017 | 71 | |
People | 10 Best Albums of 2017 | N/A | |
Rolling Stone | 50 Best Albums of 2017 | ||
Slant Magazine | 25 Best Albums of 2017 | ||
Spin | 50 Best Albums of 2017 | ||
The Independent | The 30 best albums of 2017 | ||
The Sydney Morning Herald | Top 20 Albums of 2017 | N/A | |
Thrillist | The Best Albums of 2017 | 23 | |
Time | The Top 10 Albums of 2017 | 9 | |
Variety | The Best Albums of 2017 | N/A | |
V Magazine | The 10 Best Albums of 2017 | N/A |
Accolades
Year | Organization | Award | Result | Ref. |
---|---|---|---|---|
2018 | A2IM Libera Awards | Independent Impact Award | Won | [103] |
American Music Awards | Favorite Pop/Rock Album | Won | [104] | |
Billboard Music Awards | Top Billboard 200 Album | Nominated | [105] | |
Top Selling Album | Won | |||
BreakTudo Awards | Album of the Year | Nominated | [106] | |
Japan Gold Disc Awards | Best 3 Albums (Western) | Won | [107] | |
Juno Awards | International Album of the Year | Nominated | [108] | |
2019 | Grammy Awards | Best Pop Vocal Album | Nominated | [109] |
Commercial performance
Swift performing at her Reputation Stadium Tour
Worldwide, Reputation sold two million copies in its first week.[110] A week prior to the album's release, pre-orders for it were reported to be over 400,000 units in the United States. Billboard stated that this is over twice the amount of pre-sales than Swift's previous album, 1989, which sold 1.29 million copies in its first week.[111] According to Nielsen SoundScan, the album sold roughly 700,000 copies during its first day in the country[112] and 1.05 million within four days of release, becoming 2017's biggest-selling album in the US.[113] The album ultimately became Swift's fifth number-one album on the US Billboard 200 when it debuted atop the chart with 1.238 million album-equivalent units that consisted of 1.216 million traditional sales, becoming her fourth album to sell a million copies in the country in its first week. As a result, Swift became the only act to have four albums sell more than a million copies there within a week since Nielsen SoundScan began tracking sales in 1991. Reputation also had the largest album opening in the United States since Adele's 25 in 2015 as well as the 10th largest overall sales week in the nation for an album since Nielsen SoundScan tracked its sales, and became the first album since 25 to sell a million copies there within a week.[114] It additionally sold more that week than all other albums on the chart combined.[110]
With 256,000 more album-equivalent units earned and another 232,000 copies sold the next week, Reputation stayed at number one and became the first album to top the country's chart for two weeks since Jay-Z's 4:44 earlier that year, the first by a female to overall spend more than one week at the summit since Rihanna's Anti in 2016, and first by a female to hold the highest position for its first two weeks since 25.[115]Reputation then became the fourth album to spend three or more weeks at the top spot during 2017 after Starboy by The Weeknd, More Life by Drake, and Damn by Kendrick Lamar as well as the first album since 25 by a female artist to do so overall, receiving 147,000 more album-equivalent units and selling an additional 131,000 copies during its third week.[116] The album subsequently dropped to number 3 in its fourth week with 70,000 copies sold and 112,000 album-equivalent units earned[117] before returning to the top spot three weeks later.[118] It was then displaced the next week by The Greatest Showman: Original Motion Picture Soundtrack.[119] With 1,903,000 copies sold and 2,336,000 album-equivalent units earned by the end of 2017, Reputation was the year's best selling album in the country and had its third largest overall consumption behind Damn and Sheeran's ÷.[120] It has been certified 3× Platinum by the Recording Industry Association of America (RIAA).[121] According to IFPI, it was the second best selling album of 2017, with 4.5 million copies shipped globally.[1] By March 2018 the album sold over two million pure copies in the US, becoming the first album to do so in two years.[122]
After selling 50,000 copies in Canada during its first day of availability,[123] the record also became Swift's fifth album to top the Canadian Albums Chart, entering at number one with 80,000 copies among 81,000 consumption units. It had the country's largest opening for an album since Drake's Views in 2016.[124] The record then sold 15,000 more copies and earned another 17,000 consumption units over the following week, giving Swift her fourth consecutive album to spend more than one week at Canada's top spot.[125] After receiving an additional 11,000 consumption units during its third week, Reputation became the first album since Damn to spend three consecutive weeks atop the Canadian charts and gave the singer her second-longest run at number one behind 1989.[126] It then descended to number 3 during its fourth week on the chart.[127]
The album sold slightly over 65,000 copies in the United Kingdom within three days,[128] and opened atop the UK Albums Chart with 84,000 copies, becoming her third album to reach the nation's summit. Reputation also had the UK's fifth-biggest album opening sales week of 2017.[129] It then fell down to number eight the following week.[130] The album has been certified Gold by the British Phonographic Industry (BPI).[131] It had Australia's third largest opening of the year with first week sales of 54,976 copies behind ÷ and Pink's Beautiful Trauma,[132] and gave the singer her fourth number-one album on the ARIA Albums Chart. Reputation was also the country's 458th album to debut at its summit and 814th overall to reach the top position.[133] The record then remained atop the chart for another week and was certified Platinum by the Australian Recording Industry Association (ARIA), giving the singer her fifteenth week at number one in the nation,[134] before Beautiful Trauma replaced it at the top spot.[135] It additionally entered at number one and returned to that position in June 2018 in Ireland[136] and New Zealand,[137] and was certified double platinum by Recorded Music NZ (RMNZ) for shipments of 30,000 units.[138]
Reputation was ranked as the number one album of 2018 on the Billboard 200.[139]
Track listing
Standard edition[140][141] | ||||
---|---|---|---|---|
No. | Title | Writer(s) | Producer(s) | Length |
1. | '...Ready for It?' | 3:28 | ||
2. | 'End Game' (featuring Ed Sheeran and Future) |
| 4:04 | |
3. | 'I Did Something Bad' |
| 3:58 | |
4. | 'Don't Blame Me' |
| 3:56 | |
5. | 'Delicate' |
| 3:52 | |
6. | 'Look What You Made Me Do' |
| 3:31 | |
7. | 'So It Goes...' |
| 3:47 | |
8. | 'Gorgeous' |
| 3:29 | |
9. | 'Getaway Car' |
| 3:53 | |
10. | 'King of My Heart' |
| 3:34 | |
11. | 'Dancing with Our Hands Tied' |
| 3:31 | |
12. | 'Dress' |
| 3:50 | |
13. | 'This Is Why We Can't Have Nice Things' |
| 3:27 | |
14. | 'Call It What You Want' |
| 3:23 | |
15. | 'New Year's Day' |
| 3:55 | |
Total length: | 55:38 |
Japanese deluxe edition – Bonus DVD[142] | ||
---|---|---|
No. | Title | Length |
1. | 'Look What You Made Me Do' (music video) | 4:16 |
2. | 'Look What You Made Me Do' (lyric video) | 3:35 |
3. | 'Look What You Made Me Do' (making of) | 12:09 |
Total length: | 20:00 |
Sample credit
- 'Look What You Made Me Do' contains an interpolation of the 1991 song 'I'm Too Sexy' by the band Right Said Fred.[143]
Personnel
Adapted from the album liner notes.[144]
- Taylor Swift – all vocals; backing vocals (tracks: 1, 4, 10); writer (all tracks); producer (tracks: 6, 9, 12–15); executive producer; packaging creative design
- Max Martin – producer, writer, keyboards, programming (tracks: 1–5, 7, 8, 10, 11); recording (track 1); piano (tracks: 4, 5); backing vocals (track 4)
- Shellback – producer, writer, keyboards, programming (tracks: 1–5, 7, 8, 10, 11); drums (tracks: 2, 4, 10); bass (tracks: 2, 10); guitars (track 8)
- Ali Payami – producer, writer, keyboards, programming (track 1)
- Jack Antonoff – producer, writer, programming, instruments (tracks: 6, 9, 12–14); backing vocals (tracks: 6, 9, 14); piano, bass, guitar, synths (track 15)
- Oscar Görres – producer, writer, keyboards, programming, piano (track 7)
- Oscar Holter – producer, writer, keyboards, programming (track 11)
- Michael Ilbert – engineer (tracks: 2–5, 7, 8, 10, 11)
- Sam Holland – engineer (tracks: 2–5, 7, 8, 11)
- Laura Sisk – engineer (tracks: 6, 9, 12, 13, 15)
- Noah Passovoy – engineer (track 10)
- Cory Bice – assistant engineer (tracks: 2–5, 7, 10, 11)
- Jeremy Lertola – assistant engineer (tracks: 2, 4, 5, 7, 10, 11)
- Jon Sher – assistant engineer (track 10)
- Ed Sheeran – featured artist, writer (track 2)
- Future – featured artist, writer (track 2)
- Ilya Salmanzadeh – additional vocal production (track 2)
- Seth Ferkins – engineer (track 2)
- Sean Flora – assistant engineer (track 2)
- Peter Karlsson – assistant engineer (track 2)
- Mike Synphony – assistant engineer (track 2)
- Daniel Watson – assistant engineer (track 2)
- Victoria Parker – violins (tracks: 6, 9, 13); viola (track 13)
- Phillip A. Peterson – cellos (tracks: 6, 9, 13)
- Evan Smith – saxophones (track 6)
- James Reynolds – baby voice intro (track 8)
- Sean Hutchinson – drums (track 9)
- Serban Ghenea – mixing (all tracks)
- John Hanes – mix engineer (all tracks)
- Randy Merrill – mastering (all tracks)
- Mert and Marcus – photography
- Mat Maitland – photo creative direction
- Joseph Cassell – wardrobe stylist
- Isamaya French – makeup
- Lorraine Griffin – manicurist
- Paul Hanlon – hair
- Josh and Bethany Newman – packaging art direction
- Ben Fieker – packaging design
- Parker Foote – packaging design
- Austin Hale – packaging design
Charts
Weekly charts
| Year-end charts
|
Certifications and sales
Region | Certification | Certified units/Sales |
---|---|---|
Australia (ARIA)[199] | 2× Platinum | 140,000^ |
Austria (IFPI Austria)[200] | Platinum | 15,000* |
Canada (Music Canada)[201] | 2× Platinum | 160,000^ |
Denmark (IFPI Denmark)[202] | Platinum | 20,000^ |
Japan (RIAJ)[203] | Gold | 100,000^ |
Mexico (AMPROFON)[204] | Platinum | 60,000^ |
New Zealand (RMNZ)[138] | 2× Platinum | 30,000^ |
Sweden (GLF)[205] | Platinum | 40,000^ |
United Kingdom (BPI)[131] | Platinum | 336,000[206] |
United States (RIAA)[121] | 3× Platinum | 2,000,000[120] |
Summaries | ||
Worldwide (IFPI) | -- | 4,500,000[207] |
*sales figures based on certification alone ^shipments figures based on certification alone sales+streaming figures based on certification alone |
Release history
Region | Date | Format(s) | Version | Label | Ref. |
---|---|---|---|---|---|
Various | November 10, 2017 | Original | Big Machine | [140][208] | |
Brazil | November 24, 2017 | CD | Universal Music | [209] | |
Various | December 1, 2017 | Streaming | Big Machine | [13] | |
United States | December 15, 2017 | Vinyl | [208] | ||
December 29, 2017 | Cassette tape | [210][211] | |||
March 9, 2018 | Digital download | Karaoke | [212][213] | ||
May 18, 2018 | [214] | ||||
Various | March 9, 2018 | Streaming | [215] |
See also
![Reputation Reputation](/uploads/1/2/5/7/125769277/506342056.png)
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Her last four albums all opened with over one million sales in the US, while her most recent, Reputation, has shifted over two million in America and 336,000 in the UK.
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External links
- Reputation on Swift's official website
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Reputation_(Taylor_Swift_album)&oldid=902359706'
Tour by Taylor Swift | |
Associated album | Reputation |
---|---|
Start date | May 8, 2018 |
End date | November 21, 2018 |
Legs | 5 |
No. of shows |
|
Box office | $345.7 million[1] |
Taylor Swift concert chronology | |
|
Taylor Swift's Reputation Stadium Tour[2] was the fifth concert tour by American singer-songwriter Taylor Swift, in support of her sixth studio album, Reputation (2017). The tour began on May 8, 2018 in Glendale and concluded on November 21, 2018 in Tokyo, comprising 53 concerts. The tour was attended by 2,888,892 fans and grossed $345,700,000 in revenue, becoming Swift’s most successful tour to date, and the 13th highest grossing concert tour of all time. The supporting acts for the tour were Charli XCX, Camila Cabello, and Broods.
A concert film of the same name was directed by Paul Dugdale and released on Netflix on December 31, 2018.[3] It was filmed at the second show in Arlington, Texas on October 6, 2018.
- 3Commercial performance
Development
In August 2017, Billboard reported that Swift would be using Ticketmaster's Verified Fan program to prevent bots and ticket scalpers from purchasing tickets. The program, named 'Taylor Swift Tix', allowed fans to purchase tickets in advance of the public on-sale by participating in boost activities to increase chances of getting a pre-sale access code.[2][4]
On November 13, 2017, Swift's management announced the first round of dates for the tour jointly with Ticketmaster.[5][6] Tickets went on sale to the general public on December 13, 2017, the day of Swift's 28th birthday.
In late November, Swift announced shows in Manchester, Dublin, and London. Due to overwhelming demand, additional dates were announced for all three cities. Furthermore, the singer also announced extra shows in North America for Pasadena, Chicago, East Rutherford, Foxborough, Toronto, and Atlanta due to popular demand before the pre-sale began.[7][8] On December 3, Swift announced five dates for Oceania.[9][10] In January 2018, due to huge demand, Swift went on to add second dates in Santa Clara, Landover, Philadelphia, Minneapolis and Arlington and third dates in East Rutherford and Foxborough, totalling 40 shows for the tour's North American leg.[11]
On March 1, 2018, Swift officially announced Camila Cabello and Charli XCX as the opening acts for the Reputation Stadium Tour.[12] Cabello was previously speculated as the opening act because her Never Be the Same Tour dates didn't coincide with Swift's tour dates;[13]Portland's Live 95.5 also announced her in a sweepstake for the concert of June 22, 2018 at the Wembley Stadium in London through a since-deleted post on Twitter, a day before Swift confirmed her as the opening act.[14]
On May 7, 2018, the day before the tour kicked off at Glendale, Arizona, Swift invited 2,000 foster and adopted children to a private dress rehearsal.[15]
On May 8, 2018, Swift announced two shows in Tokyo, with Charli XCX as the opening act.[16] In September 2018, Broods was announced as an opening act for the Oceania leg of the tour.[17]
Critical reception
Swift performing at Levi's Stadium in Santa Clara.
The tour has received rave reviews, being commonly labeled as the best of Swift's career thus far and the best tour of 2018.[18][19][20] Ed Masley, from The Arizona Republic, wrote that 'there were many moments in the course Swift's performance that felt like she was playing to the back rows of the stadium by simply sharing with her fans', while complimenting the tour's production and highlighting Swift's connection with the crowd.[21] Jim Harrington, from The Mercury News, praised the improvement of the singer's vocal work and performance skills over the years: 'Her game is well-rounded enough that she can excel equally at every different aspect of the show.'[22] Chris Tuite, from CBS San Francisco, wrote: 'The only thing more prominent than the singer herself during her current costume-change filled spectacle are the massive, vicious looking snakes that symbolically appear throughout the set.'[23] Michael Tritsch from 303 Magazine commented the tour 'broke new ground and set the bar high for future stadium tours' while adding 'The reputation of this show burned its way into the history books'.[24]
Commercial performance
Ticket sales
After four days of sales through the Verified Fan platform and three days of sales to the general public that began December 13, the tour had already grossed $180 million from 33 dates in North America alone.[25]Pollstar reported data supplied by the Gridiron Stadium Network, a consortium of NFL facilities that work together to book concerts at their buildings, which showed at least 35,000 tickets had been sold at ten of the stadiums on the route as of December 18. The tickets sold ranged from 35,419 at Heinz Field in Pittsburgh to a high of 48,039 at Lincoln Financial Field in Philadelphia. With more than 47,000 tickets sold, it was reported the May 12, 2018 date at Levi's Stadium in Santa Clara was generating close to $9 million in ticket revenue, which prompted the addition of an extra date.[26]
According to StubHub, the tour is the best-selling female tour in the United Kingdom in 2018.[27]
Boxscore
The first seven shows of the tour grossed $54 million with 390,000 tickets sold, leading Swift to the top of Billboard's Hot Tours chart in June 2018.[28] She performed to sold out crowds of 59,157 in Glendale and 107,550 in Santa Clara (over two nights), grossing $7.21 million and $14 million respectively, while the Pasadena shows combined for a gross of nearly $16.3 million and Seattle accounted more than $8.6 million.[28][29][30] The concerts in Louisville and Columbus, reported in July 2018, grossed $11.5 million with around 115,000 tickets sold, with the latter city having the highest gross and most tickets sold, with approximately 63,000 tickets and $6.6 million. These concerts led the singer once again to the top of Hot Tours chart.[31]
Records
Swift performing at Sports Authority Field at Mile High in Denver, Colorado, being the first woman to headline a concert at the stadium.
The tour has broken multiple venue attendance and grossing records. The debut performance at University of Phoenix Stadium set new venue records in both gross and attendance, topping Metallica's $5.2 million gross earned in August 2017 by almost $2 million. With 59,157 tickets sold, she also broke the attendance record set during One Direction's Where We Are Tour in 2014 by 2,633 seats.[32] With a $14 million take from 107,550 sold tickets at Levi's Stadium she topped her own gross and attendance counts set during The 1989 World Tour in 2015. With more than 118,000 fans in attendance at the Rose Bowl, the two-show run earned $16.2 million and set a new gross record for a single headliner at the venue, surpassing U2's 2017 record by over $467,000. Grossing records previously set by U2 as well were broken at Seattle's CenturyLink Field, where she topped their Joshua Tree Tour 2017 gross by $2.4 million, and Denver's Sports Authority Field at Mile High, where she surpassed the $6.6 million gross set by the band in 2011 during their 360° Tour by $1.2 million.[28]
Swift made history by becoming the first female artist to headline Dublin's Croke Park twice, with reportedly 136,000 fans in attendance.[33][34] Similarly, she achieved the milestone of becoming the first woman to headline three consecutive nights at MetLife Stadium[35] and Gillette Stadium.[36]
Following the tour's 29th show in North America at Hard Rock Stadium in Miami, it had grossed $202.3 million in the continent ($191.1 million in the United States and $11.1 million in Canada) thus breaking Swift's own record of the highest grossing North American tour by a female artist, previously held by The 1989 World Tour, with fewer dates.[37]
Awards
Year | Organization | Award | Result | Ref. |
---|---|---|---|---|
2018 | Billboard Live Music Awards | Top U.S. Tour | Won | [38] |
American Music Awards | Tour of the Year | Won | [39] | |
People's Choice Awards | Concert Tour of the Year | Won | [40] | |
2019 | Pollstar Awards | Best Pop Tour | Won | [41] |
iHeartRadio Music Awards | Tour of the Year | Won | [42] |
Set list
This set list is from the concert on May 8, 2018 in Glendale, Arizona. It is not intended to represent all shows from the tour.[43]
- '...Ready for It?'
- 'I Did Something Bad'
- 'Gorgeous'
- 'Style' / 'Love Story' / 'You Belong with Me'
- 'Look What You Made Me Do'
- 'End Game'
- 'King of My Heart'
- 'Delicate'
- 'Shake It Off' (with Camila Cabello and Charli XCX)
- 'Dancing with Our Hands Tied'
- 'All Too Well'
- 'Blank Space'
- 'Dress'
- 'Bad Blood' / 'Should've Said No'
- 'Don't Blame Me'
- 'Long Live' / 'New Year's Day'
- 'Getaway Car'
- 'Call It What You Want'
- 'We Are Never Ever Getting Back Together' / 'This Is Why We Can't Have Nice Things'
- During the first show in Landover, the second show in Philadelphia, the third show in East Rutherford, and the second show in Tokyo, Swift performed 'So It Goes...' in place of 'Dancing with Our Hands Tied'.[44]
- During the second show in Philadelphia, Swift performed 'Our Song' and 'Wildest Dreams' a cappella after the levitating basket stage used during 'Delicate' malfunctioned.[45]
- During the second show in East Rutherford, Swift performed 'Clean' before the 'Long Live' / 'New Year's Day' medley.[46]
- During the shows in Seattle and Tokyo, Swift performed 'Shake It Off' with Charli XCX only.
- During the show in Perth, Swift performed 'Shake It Off' alone.
- During the shows in Melbourne, Sydney, Brisbane, and Auckland, Swift performed 'Shake It Off' with Charli XCX and Georgia Nott of Broods.
- During the show in Sydney, Swift did not perform 'Dancing With Our Hands Tied'.
The following songs were performed by Swift in place of 'All Too Well':[47]
- During the first show in Santa Clara, 'Wildest Dreams'.
- During the second show in Santa Clara, 'The Best Day'.
- During the first show in Pasadena, 'Red'.
- During the show in Seattle, 'Holy Ground'.
- During the show in Denver, 'Teardrops on My Guitar'.
- During the first show in Chicago, 'Our Song'.
- During the second show in Chicago, '22'.
- During the first show in Manchester, 'I Knew You Were Trouble'.
- During the second show in Manchester, 'I Don't Wanna Live Forever'.
- During the first show in Dublin, 'Mean'.
- During the second show in Dublin, 'How You Get the Girl'.
- During the first show in London, 'So It Goes...'.
- During the second show in London, 'Fifteen'.
- During the show in Louisville, 'Mine'.
- During the show in Columbus, 'Sparks Fly'.
- During the first show in Landover, 'State of Grace'.
- During the second show in Landover, 'Haunted'.
- During the first show in Philadelphia, 'Never Grow Up'.
- During the second show in Philadelphia, 'Treacherous'.
- During the show in Cleveland, 'Babe'.
- During the first show in East Rutherford, 'Welcome to New York'.
- During the second show in East Rutherford, 'Fearless'.
- During the third show in East Rutherford, 'Enchanted'.
- During the first show in Foxborough, '22'.
- During the second show in Foxborough, 'Change'.
- During the third show in Foxborough, 'Ours'.
- During the first show in Toronto, 'Out of the Woods'.
- During the second show in Toronto, 'Come Back... Be Here'.
- During the show in Pittsburgh, 'A Place in This World'.
- During the first show in Atlanta, 'This Love'.
- During the second show in Atlanta, 'The Lucky One'.
- During the show in Tampa, 'Invisible'.
- During the show in Miami Gardens, 'Breathe'.
- During the show in Nashville, 'Better Man'.
- During the show in Detroit, 'Jump Then Fall'.
- During the first show in Minneapolis, 'Begin Again'.
- During the second show in Minneapolis, 'Tied Together with a Smile'.
- During the show in Kansas City, 'The Story of Us'.
- During the show in Indianapolis, 'Forever & Always'.
- During the show in St. Louis, 'Hey Stephen'.
- During the show in New Orleans, 'Speak Now'.
- During the show in Houston, 'Wonderland'.
- During the first show in Arlington, 'White Horse'.
- During the show in Perth, 'I Knew You Were Trouble'.
- During the show in Melbourne, 'I'm Only Me When I'm with You'.
- During the show in Sydney, '22'.
- During the show in Brisbane, 'Starlight'.
- During the show in Auckland, 'Out of the Woods'.
- During the first show in Tokyo, 'I Know Places'.
- During the second show in Tokyo, 'Wildest Dreams'.
Swift surprised fans throughout the tour with special guests, performing a duet with them.
- May 18, 2018 – Pasadena: 'There's Nothing Holdin' Me Back' with Shawn Mendes.[48]
- May 19, 2018 – Pasadena: 'My My My!' with Troye Sivan;[49] 'Hands to Myself' with Selena Gomez.[50]
- June 22, 2018 – London: 'Slow Hands' with Niall Horan.[51]
- June 23, 2018 – London: 'Angels' with Robbie Williams.[52]
- July 26, 2018 – Foxborough: 'Curious' with Hayley Kiyoko.[53]
- August 4, 2018 – Toronto: 'Summer of '69' with Bryan Adams.[54]
- August 25, 2018 – Nashville: 'Tim McGraw' with Tim McGraw and Faith Hill.[55]
- October 5, 2018 – Arlington: 'The Middle' with Maren Morris.[56]
- October 6, 2018 – Arlington: 'Babe' with Sugarland.[57]
Shows
Date | City | Country | Venue | Opening act(s) | Attendance / Capacity | Revenue |
---|---|---|---|---|---|---|
Leg 1 — North America[58] | ||||||
May 8, 2018 | Glendale | United States | University of Phoenix Stadium | Camila Cabello Charli XCX | 59,157 / 59,157 | $7,214,478 |
May 11, 2018 | Santa Clara | Levi's Stadium | 107,550 / 107,550 | $14,006,963 | ||
May 12, 2018 | ||||||
May 18, 2018 | Pasadena | Rose Bowl | 118,084 / 118,084 | $16,251,980 | ||
May 19, 2018 | ||||||
May 22, 2018 | Seattle | CenturyLink Field | Charli XCX[a] | 56,021 / 56,021 | $8,672,219 | |
May 25, 2018 | Denver | Sports Authority Field at Mile High | Camila Cabello Charli XCX | 57,140 / 57,140 | $7,926,366 | |
June 1, 2018 | Chicago | Soldier Field | 105,208 / 105,208 | $14,576,697 | ||
June 2, 2018 | ||||||
Leg 2 — Europe[2][60][61][62] | ||||||
June 8, 2018 | Manchester | England | Etihad Stadium | Camila Cabello Charli XCX | 77,258 / 77,258 | $6,169,724 |
June 9, 2018 | ||||||
June 15, 2018 | Dublin | Ireland | Croke Park | 133,034 / 133,034 | $8,567,769 | |
June 16, 2018 | ||||||
June 22, 2018 | London | England | Wembley Stadium | 143,427 / 143,427 | $12,214,933 | |
June 23, 2018 | ||||||
Leg 3 — North America[2][58] | ||||||
June 30, 2018 | Louisville | United States | Papa John's Cardinal Stadium | Camila Cabello Charli XCX | 52,138 / 52,138 | $4,928,219 |
July 7, 2018 | Columbus | Ohio Stadium | 62,897 / 62,897 | $6,606,529 | ||
July 10, 2018 | Landover | FedExField | 95,672 / 95,672 | $11,396,004 | ||
July 11, 2018 | ||||||
July 13, 2018 | Philadelphia | Lincoln Financial Field | 107,378 / 107,378 | $11,951,047 | ||
July 14, 2018 | ||||||
July 17, 2018 | Cleveland | FirstEnergy Stadium | 51,323 / 51,323 | $5,148,757 | ||
July 20, 2018 | East Rutherford | MetLife Stadium | 165,654 / 165,654 | $22,031,386 | ||
July 21, 2018 | ||||||
July 22, 2018 | ||||||
July 26, 2018 | Foxborough | Gillette Stadium | 174,764 / 174,764 | $21,779,846 | ||
July 27, 2018 | ||||||
July 28, 2018 | ||||||
August 3, 2018 | Toronto | Canada | Rogers Centre | 100,310 / 100,310 | $11,177,000 | |
August 4, 2018 | ||||||
August 7, 2018 | Pittsburgh | United States | Heinz Field | 56,445 / 56,445 | $6,230,876 | |
August 10, 2018 | Atlanta | Mercedes-Benz Stadium | 116,746 / 116,746 | $18,089,415 | ||
August 11, 2018 | ||||||
August 14, 2018 | Tampa | Raymond James Stadium | 55,909 / 55,909 | $7,244,264 | ||
August 18, 2018 | Miami Gardens | Hard Rock Stadium | 47,818 / 47,818 | $7,072,164 | ||
August 25, 2018 | Nashville | Nissan Stadium | 56,112 / 56,112 | $9,007,179 | ||
August 28, 2018 | Detroit | Ford Field | 49,464 / 49,464 | $6,597,852 | ||
August 31, 2018 | Minneapolis | U.S. Bank Stadium | 98,774 / 98,774 | $10,242,024 | ||
September 1, 2018 | ||||||
September 8, 2018 | Kansas City | Arrowhead Stadium | 58,611 / 58,611 | $6,730,138 | ||
September 15, 2018 | Indianapolis | Lucas Oil Stadium | 55,729 / 55,729 | $6,531,245 | ||
September 18, 2018 | St. Louis | The Dome at America's Center | 47,831 / 47,831 | $4,884,054 | ||
September 22, 2018 | New Orleans | Mercedes-Benz Superdome | 53,172 / 53,172 | $6,491,546 | ||
September 29, 2018 | Houston | NRG Stadium | 53,800 / 53,800 | $9,350,275 | ||
October 5, 2018 | Arlington | AT&T Stadium | 105,002 / 105,002 | $15,006,157 | ||
October 6, 2018 | ||||||
Leg 4 — Oceania[2][63][62][64] | ||||||
October 19, 2018 | Perth | Australia | Optus Stadium | Charli XCX Broods | N/A | N/A |
October 26, 2018 | Melbourne | Marvel Stadium | 63,027 / 63,027 | $6,755,570 | ||
November 2, 2018 | Sydney | ANZ Stadium | 72,805 / 72,805 | $7,686,564 | ||
November 6, 2018 | Brisbane | The Gabba | 43,907 / 43,907 | $4,338,127 | ||
November 9, 2018 | Auckland | New Zealand | Mount Smart Stadium | 35,749 / 35,749 | $3,617,593 | |
Leg 5 — Asia[2][65][66] | ||||||
November 20, 2018 | Tokyo | Japan | Tokyo Dome | Charli XCX | 100,109 / 100,109 | $14,859,847 |
November 21, 2018 |
Notes
- ^Due to hospitalization from dehydration and orders from doctors, Cabello cancelled her appearance for the Seattle show.[59]
See also
References
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- 'Current Boxscore | Billboard'. Billboard. Archived from the original on September 14, 2018. Retrieved September 14, 2018.
- 'Current Boxscore | Billboard'. Billboard. Archived from the original on October 10, 2018. Retrieved October 10, 2018.
- 'Current Boxscore | Billboard'. Billboard. Archived from the original on November 6, 2018. Retrieved November 6, 2018.
- ^Aiello, McKenna (May 21, 2018). 'Camila Cabello Cancels Her Performance at Taylor Swift's Concert After Hospitalization'. Archived from the original on May 22, 2018. Retrieved May 22, 2018.
- ^'Camila Cabello Tour'. Archived from the original on April 21, 2018. Retrieved April 16, 2018.
- ^'Charli XCX Tour'. Archived from the original on March 24, 2018. Retrieved April 16, 2018.
- ^ ab'2018 Year End Top 100 International Box Office'(PDF). Pollstar. Retrieved December 22, 2018.
- ^'Taylor Swift to kick off Australian leg of Reputation tour with mega WA show'. Archived from the original on January 21, 2018. Retrieved December 4, 2017.
- ^Oceania boxscore:
- 'Current Boxscore | Billboard'. Billboard. Archived from the original on December 6, 2018. Retrieved December 6, 2018.
- ^'テイラー・スウィフト!3年ぶりの東京ドーム公演決定!' (in Japanese). Archived from the original on June 19, 2018. Retrieved June 19, 2018.
- ^Asia boxscore:
- 'Current Boxscore | Billboard'. Billboard. Archived from the original on December 6, 2018. Retrieved December 6, 2018.
External links
Wikimedia Commons has media related to Taylor Swift's Reputation Stadium Tour. |
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